I recently launched a comprehensive, interactive online course called CSS for JavaScript Developers. I love writing CSS these days!įor the past year and a half, I've been focused on helping JS developers change their relationship with CSS. If you take a bit of time to learn how the language really works, though, everything becomes so much more intuitive and predictable. When your mental model is incomplete, you're bound to run into some problems. Unless you pop the hood and learn what's really going on under there, the language will always feel a bit unpredictable and inconsistent. And honestly, there's so much more I want to say! We only scratched the surface in a bunch of places.ĬSS is a deceptively complex language. My CSS reset is quite short (only 11 declarations!), and yet I've managed to spend an entire blog post talking about them. This rule will prevent that image from growing beyond its container, which feels like much more sensible default behavior to me. If an image has a "native" size of 800Ã600, the element will also be 800px wide, even if we plop it into a 500px-wide parent. Most block-level elements will automatically grow/shrink to fit their parent, but media elements like are special: they're known as replaced elements, and they don't follow the same rules. The example below lists two font families, the first with a and the second with a : css. Each font family is specified as either a or a value.This is done to keep large images from overflowing, if they're placed in a container that isn't wide enough to contain them. The font-family property lists one or more font families, separated by commas. If you've ever had a mysterious 4px gap that wasn't margin or padding or border, it was probably the âinline magic spaceâ that browsers add with line-height.Ä«y setting display: block on all images by default, we sidestep a whole category of funky issues. If we try to use an inline element in our layout, though, weird things happen. Typically, I treat images the same way I treat paragraphs or headers or sidebars they're layout elements. This doesn't jive with how I use images most of the time. This implies that they should be used in the middle of paragraphs, like or. So here's a weird thing: images are considered "inline" elements. We need to explicitly turn it off, by setting -webkit-font-smoothing to antialiased. I'm guessing they realized that it was doing more harm than good on modern hardware.Ĭonfusingly, MacOS browsers like Chrome and Safari still use subpixel antialiasing by default. In MacOS Mojave, released in 2018, Apple disabled subpixel antialiasing across the operating system. If you look at a modern monitor under a microscope, you won't see an orderly grid of R/G/B lines anymore. The physical arrangement of pixel LEDs has changed as well. Today's pixels are much smaller, invisible to the naked eye. Here's the problem: that article was written in 2012, before the era of high-DPI âretinaâ displays. You may have read a popular blog post, Stop âFixingâ Font Smoothing, that advocates against switching to âantialiasedâ. In the past, this was seen as an accessibility win, because it improved text contrast. This is a technique that aims to make text easier to read, by leveraging the R/G/B lights within each pixel. On MacOS computers, the browser will use âsubpixel antialiasingâ by default. Onest is suitable for reading long texts from the screens of any device and is recommended for government and social service sites.Alright, so this one is a bit controversial. It was born in Moldova, so it is ready from early days to be the voice of everyone who lives here. Onest can speak different languages: Romanian, Russian, Gagauz, Ukrainian and even Bulgarian. It adapts to the text, giving the best possible layout for each element in any context. All thanks to alternative symbols that set the tone and even the character of the message. For all its versatility, Onest allows text to keep its individuality. The font combines capaciousness and legibility, so it saves space without losing readability. The neutral forms of the graphemes inherit the ideas of the modernist neo-grotesques of the second half of the 20th century. In seven fonts, from thin to extra bold, Onest is designed as a hybrid of geometric and humanistic grotesques. Also, to bring Moldova's image closer to that of a modern, open country. Onest is the first Moldovan made typeface created with a mere goal - to make communication between the state and the citizen honest and understandable. Font Meme is a fonts & typography resource.
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